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Vorschau 2016/17

 

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Kirsten Liese

 

Wagnerian Heroines

A Century of great Isoldes and Brünnhildes

Foreword by Christian Thielemann

 

With 28 b/w-photos, some of them have not been published

140 pages, ISBN 978-3-937881-62-1,  EUR 29,-

 

 

»Each and every heroine who did and still does justice to the great Wagnerian soprano roles deserves this appraisal, a homage based on merit alone. The biographies assembled in this book prove how much time and work is required for a voice to develop its splendor.«

Christian Thielemann

 

 

 

 

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»In a few words she utters possibly the most beautiful declaration of love by a performer for a composer: Wagner was sufficient for me.

 

Kirsten Flagstad is, to be sure, no one-dimensional artist. Her rich repertoire includes over fifty roles in operas from the high baroque to the late romantic era. But it is the creator of Tristan who fascinates her most of all.

 

She performed Isolde 182 times – enough Isoldes for a lifetime!, the Norwegian soprano notes in her memoirs. These include the 48 times she sang it at New York’s preeminent Met alongside her ideally paired co-star Lauritz Melchior. In an oft-quoted interview the General Manager at that time, Giulio Gatti-Casazza, proudly concludes that the discovery of Caruso and Flagstad represents his greatest contribution to the stage.

 

Even from today's perspective such superlatives seem no exaggeration, for they are confirmed by a multitude of recordings.«

 

 

 

 

 

 

Isolde and Brünnhilde are endlessly fascinating personalities and, like most Wagnerian heroines, are equally powerful in their love.

 

This book pays homage to thirteen outstanding interpreters of these roles from different eras, all of whom left their imprint of high artistic standards on the Bayreuth festival. Kirsten Liese portrays each soprano individually through text and images which include unpublished photos from private archives: Frida Leider, Kirsten Flagstad, Martha Mödl, Astrid Varnay, Birgit Nilsson, Ludmila Dvořákova, Anja Silja, Catarina Ligendza, Dame Gwyneth Jones, Hildegard Behrens, Deborah Polaski, Waltraud Meier und Nina Stemme; the living artists all collaborated exclusively with the author on their chapters.

 

With a Foreword by the brilliant Wagnerian conductor Christian Thielemann.

 

 

 

 

 

 

 

 

KIRSTEN LIESE, born in Berlin in 1964, studied music education and German philology, followed by an apprenticeship at a daily newspaper and further studies in broadcasting.

 

Since 1994 she has worked as an independent journalist and author specialising in opera, concerts, and cinema for the German broadcast network ARD (Deutschlandfunk, WDR, SWR, BR, MDR), newspapers (Berliner Morgenpost, Rhein Neckar-Zeitung, Nürnberger Nachrichten), magazines (Das Orchester) and online publications (BR Online, Kinofenster). She also edits sheet music for Bärenreiter in Kassel and Doblinger in Vienna.

 

In 2007 her book Elisabeth Schwarzkopf: From Flower Maiden to Marschallin was published in Germany and Austria, followed two years later by a revised American/UK edition (Amadeus Press, New York).

 

 

 

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